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BCDU (2014) – absurdo
The absurd, as a sensation of the absence of meaning, is also something experienced ( see ERLEBEN ). Defined by Albert Camus
Camus
Albert Camus
ALBERT CAMUS (1913-1960)
as the “mystery and strangeness of the world,” it belongs to the French vocabulary of existentialism, which we have explored in its German source ( see DASEIN ). It is an ontological affect broadly described in the works of Schelling
Schelling
Friedrich Schelling
FRIEDRICH WILHELM JOSEPH SCHELLING (1775-1854)
, Kierkegaard
Kierkegaard
SØREN AABYE KIERKEGAARD (1813-1855)
, Freud
Freud
Sigmund Freud
, and Heidegger ( see ANXIETY and, more generally, MALAISE ) in connection with “facticity” ( see TATSACHE, Box 1 ).
In a specific, positive way, the three components of the absurd—logical, linguistic, and existential—are at work in the French word esprit; “nonsense” refers to a specific form of humor related in English to “wit” and in German to Witz ( see NONSENSE, WITTICISM ).