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GA53 / GA 53 / GA LIII / SS 1942
Hölderlins Hymne "Der Ister" (SS 1942) [1984]
- ERSTER TEIL - Das Dichten des Wesens der Ströme - die Ister-Hymne
- ZWEITER TEIL - Die griechische Deutung des Menschen in Sophokles
Sophokles
Sófocles
Sophocles
’ Antigone - DRITTER TEIL - Hälderlins Dichten des Wesens des Dichters als Halbgott
Matérias
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GA53: πόλις - pólis
1º de agosto de 2017, por Cardoso de Castro
McNeill & Davis
We think we are educated as to what πόλις means. For whatever the πόλις is must “naturally” be determined with respect to the “political.” Presumably the “political” and the πόλις will be connected. The question remains, however, as to how this connection must be thought in the instance. Evidently, the “political” is that which belongs to the πόλις therefore be determined only in terms of the πόλις. Yet the converse is precisely not the case. But if this is so, if the (…)
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GA53: Estrutura da obra
1º de agosto de 2017, por Cardoso de Castro
McNeill & Davis
PART ONE POETIZING THE ESSENCE OF THE RIVERS THE ISTER HYMN
§1. The theme of the lecture course: remarks on Hölderlin’s hymnal poetry
a) The Ister hymn
b) Discussion of the opening line: “Now come, fire!”
§2. Hymnal poetry as poetizing the essence of the rivers II
§3. The metaphysical interpretation of art
§4. Höderlin’s poetry as not concerned with images in a symbolic or metaphysical sense. The concealed essence of the river
§5. The river as the locality (…)
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Mitchell (Geviert) – Heidegger’s consideration of inanimate or material nature
11 de novembro de 2023, por Cardoso de Castro
The poetic presentation of material nature is thus not an embellishment of what otherwise already exists. The poetic presentation allows the thing in question to show itself as relational and this means at the same time that it shows itself as participating in a world of sense.
Heidegger’s consideration of inanimate or material nature is ultimately a destabilization of the very “materiality” of it. The stone is not brute matter, the stone speaks. The stone is the materialization of pain, (…)